One of the elements
in my story ‘Mad Lutanist’ (recently reprinted in The Ghost & Scholars Book
of Follies and Grottoes edited by Rosemary Pardoe, from Sarob Press) is the aeolian
harp, an ancient instrument which resonates with the wind to produce eerie
music. It fascinated Coleridge, and his experiments and speculations are alluded to in the story.
I was therefore delighted to receive news of Aeolian Mixtape by Quinta, an album just released on the always-interesting Nonclassical label. Quinta is a London-based experimental composer who devised hand-made versions of the aeolian harp while she was living in Greece. Its strange soaring sounds are here combined with string instruments and electronics to convey a truly unearthly soundscape.
(Mark Valentine)
Also, via Coleridge, of interest to Owen Barfield; https://www.owenbarfield.org/research/glossary/aeolian-harp/
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