Tuesday, September 24, 2024

After Midnight Stories

The anthology After Midnight Stories (1985) is subtitled "A Kimber Ghost Book." It was published by William Kimber of London, and edited by Amy Myers, then working at the publishing house--she would later become well-known as a mystery writer. After Midnight Stories, like many other William Kimber titles, has dust-wrapper art by Ionicus. 

There is no introduction, but the book contains sixteen stories, all of them new save for two: one by  A.L. Rowse dates from 1945; the other, by Brian Lumley, from 1978. The book is dedicated to the memory of Denys Val Baker, who's book Haunted Cornwall (1973) initiated a long line of ghost story collections and anthologies from William Kimber. 

Cornwall has a significant presence in the book, with at least five stories set there, including those by J.C. Trewin, Meg Buxton, Rosalind Wade, A.L. Rowse, and Mary Williams. 

The best stories are the more literary ones.  "All Souls' Night" by A.L. Rowse  tells of a young scholar coming to write the history of a Cornish family. In "Under the Shadow" by J.C. Trewin,  a man returns to Cornwall with his wife, and a very odd silence descends upon the village, as had happened previously. Derek Stanford's "The Old Brighton Road" is written in direct relation to Richard Middleton's 1912 story "On the Brighton Road," bringing back its ghostly characters. Another story I especially liked was the final one in the book, "The Punch and Judy Man" by Lanyon Jones, in which the bustle of modernity encroaches upon a reclusive Punch and Judy Man during his off-season. 

The lesser stories include Brian Lumley's "Vanessa's Voice," which seemed rather trite to me; and "The Ferret" by Mary Williams, in which a woman's dead husband reappears in rat-like form to eat her face.  Rosemary Timperley's very short "The Ghost House" is more of a vignette with a punchline than a story. 

Most of the other stories are  nicely varied, from Rosalind Wade's "The Cat's Teaparty," in which a scene from decades earlier is re-enacted as a haunting. and Med Buxton's "The Marigold Cow," which begins with a cow that, just as the title suggests, eats marigolds, and gets stranger from there. 

Overall a decent collection, well worth reading.

9 comments:

  1. Thank you for the recommendation Douglas. It’s always fun to find an anthology with new stories, especially ones worth while.

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  2. Thanks, Gary. I've just started the second in the After Midnight Stories series.

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  3. I'm giving away my age when I say that the book cover is so 1970s with its yellow, vaguely familiar font and pastel "earthy" illustration.

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  4. I am very fond of the Kimber collections, mostly because the covers by Ionicus are so evocative.

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  5. I have a collection of Wm Kimber books, as Cornwall is just over the "border" from my Devon home, and we visit frequently visit. I am very keen on both A L Rowse and Denys Val Baker, even though both are Cornish, they are very different. Rowse wrote a couple books about Cornish aristocratic families, so perhaps the student in his story is himself. I must look for a copy of the book.

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    1. The Rowse story, "All Souls' Night" appeared is his first collection of short stories, West-Country Stories (1945),

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  6. I'm pleased to hear the J C Trewin story is good. I haven’t read any fiction by him, but you’ve made me want to seek some out.

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    1. Trewin had a number of stories in other Kimber anthologies. I'm looking forward to reading them.

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  7. I have some collections by Rowse and Baker that I picked up some time ago while researching the literary legacy of the 'Tregethern Horror', the mythology derived from the sudden death of Ka Cox. I was particularly impressed by Rowse.

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