Wednesday, May 15, 2013

Rex Ryan addendum

Further to the post below, Rex Ryan's granddaughter, Elspeth Caton, discovered the following fascinating newspaper article, probably from the Fleetwood Chronicle.  The date is uncertain, but other references in the cutting suggest the article should be dated to around April or May 1926, though it could be later.

The relevant section of the article reads: "Next week the company [The Fleetwood Palace Stock Co.] will present "David Garrick." The rare comedy of this famous play should endear it to every patron of "Our home of drama." The production will witness the return to Fleetwood of Rex Ryan, who will be remembered as a member of last year's dramatic company. Mr Ryan will be the David Garrick, as well as the producer of the play. He has had a unique experience in repertory of every kind, including all Shakespeare's plays. He is himself an author, not only of many successful plays, but of two or three novels of which the best known is "The Tyranny of Virtue," a best-seller in Australia and by no means unknown in this country."

So it appears there are still a couple of Rex Ryan novels to be found.  Kudos to the first person to discover these books!

A note of caution, though - I'm not sure that The Tyranny of Virtue was a bestseller in Australia - there are only two references to it in the NLA's digitised Australian newspapers - for the copies sent to The Sydney Morning Herald and the Melbourne Argus. And no copy exists at any library in the UK, which might suggest it is unknown in this country!


Tuesday, May 14, 2013

Rex Ryan/ R.R. Ryan

A useful resource I wasn't aware of until today is The Stage Archive, with searchable digitised images of the long running theatrical advertiser, The Stage Directory.  Unfortunately it's not free to use, and the search engine isn't necessarily accurate in picking up names, however there is a wealth of material including some references to Rex Ryan, better known as the cult 1930s thriller writer, R.R. Ryan.  Using the Stage Archive it is possible to trace  the activities of Ryan and his wife, Anne, who used the stage name Pauline Duke.

The first reference I could track (without browsing issue by issue, which would no doubt reveal a lot more) was an advertisement from 5 November 1925, which seems to indicate Rex Ryan and Pauline Duke were living in Manchester:
Unexpectedly disengaged and looking for work. Perhaps to save a few pennies they refer to themselves as R.R. and P.D. A similar advertisement with the same address appears in the next issue, dated 12 November 1925.

The next reference is dated 8 July 1926 and refers to a play of Mary Roberts Rinehart's, The Bat, put on by Stephen C. Venner's Venner Repertory Co. at the Rotherham Repertory. According to the reviewer "The audience liked, too, the acting of Mr Rex Ryan as Dr Wells." On 2 December 1926 at the same venue, the Venner Repertory Co opened with "If Winter Comes" and Rex Ryan was one of the principles.

A year later, on 8 December 1927 the Imperial Players presented "Lady Windermere's Fan" at the Royal at Castleford, with Rex Ryan playing Lord Windermere.  The review says that "The Mad Doctor" will be presented tonight."  One week later the Imperial Players presented "Ashes of Virtue."  The reviewer notes that "Rex Ryan gave an excellent characterisation of the Jew," and goes on to say that "Pauline Duke was charming as Peace Meredith."

On 12 July 1928 the Imperial Players presented "The Volga Boatman" at the Royal and Empire in Peterborough, with Rex Ryan as the Boatman and Pauline Duke as Princess Paula.  On 19 July they played at the Alexandra in Pontefract, with Ryan giving "an excellent representation of Carol, the boatman," and Pauline Duke playing Princess Paula "with dignity." On 9 August they were at the Kidderminster Opera House and on 30 August at the Royal at Bilston.

On 8 August 1929, Rex Ryan's own play, "The Mandarin Wong Koo" (licensed as "Yellow Vengeance") was presented at the Palace in Trent Bridge and reviewed in The Stage:



 The review goes on to say that "Mr Atholl-Douglas gave a fine impersonation of the Mandarin Wong Koo, observing throughout an impressive restraint. Mr J. Templar Ellis supplied a contrast with a telling embodiment of the frenzied Pearson, whose distraught state was graphically portrayed. Miss Maureen O'Mara sounded the emotional note with skill and judgment as Miriam, and Mr Noel Mackintosh supplied acceptable comic relief to the tension by his good-humoured rendering of the role of Dr James. Mr R. Clifford Holmes convincingly indicated the subtlety of Yen Ling with whom Miss Lesley Deane as Grace Lewis played her scene admirably. Miss Lily Adeson was a capital San Ming Lee, and Mr Harold Baker did well as the porter. The piece is crude, but its sensational theme and exciting situations invest it with appeal as an attraction for popular audiences. It had an unmistakably hearty reception."

On 31 October 1929 Rex Ryan is advertising the play, spruiking its obvious virtues:


1930 has the Ryans in Ireland.  On 17 July the Empire Players present "Heart of a Thief" at the Empire in Belfast with Rex Ryan and Pauline Duke acting in it. On 17 July the Empire Stock Company presents "Ignorance" at the same venue.  According to the reviewer, "Rex Ryan as the Rev. Frank Hastings is natural in all he does," and "Pauline Duke is a restrained and finished Mary Martin."

From this point I haven't found Rex Ryan mentioned in The Stage, though there may well be references I've missed. Presumably Rex and Anne settled in Brighton and Rex started writing novels.

It's also worth noting a reference on 20 September 1928 to a play called "Stone the Woman!"  The reviewer calls it "a strong, outspoken play based on the novel, "Tyranny of Virtue" by Noel Despard. A good house on Monday greeted the play with enthusiasm."  Rex Ryan is known to have written "Tyranny of Virtue" under the name Noel Despard.

The British Newspaper Archive has a couple of references to "Stone the Woman!" - the Derby Daily Telegraph of 11 August 1926 says "Mr Alfred Denville has secured the rights to "Stone the Woman!" by Noel Despard from Mr Leonard Harrison who produced and toured the piece. Mr Harrison, I believe is part author of the play in addition."  There is also an advertisement for the play, showing at the Grand Theatre, Plymouth, in The Western Morning and Mercury dated 14 April 1927, "by Noel Despard, author of the daring novel The Tyranny of Virtue."

Friday, May 10, 2013

R.I.P. - Roger Dobson, author and bookman





I am sorry to report the very sad news that Roger Alan Dobson, author, journalist and bookman of Oxford, has died. He was the co-editor, with me, of several booklets about Arthur Machen, of Aklo, the journal of the fantastic, and The Lost Club Journal (devoted to neglected writers). He also wrote radio plays, including a successful BBC Radio 4 production about the Kingdom of Redonda, the Caribbean literary realm associated with M.P. Shiel and John Gawsworth, which fascinated him: in recognition of his work here, Spanish novelist Javier Marias ennobled him in his Redondan court as the Duke of Bridaespuela .

Roger was proud of his Manchester upbringing, and wrote a study of Ann Lee, the Manchester Messiah, about a local prophetess. He was a regular contributor to the Antiquarian Book Monthly Review (ABMR) on recondite literary subjects, including one article which made out the case that Sherlock Holmes must have gone to a Manchester college. This exhibited the sense of mischief Roger often brought to bookish matters: he was also implicated, with his friend the bookseller Rupert Cook, in the letters and writings of the hoax poet (who showed signs of coming alive), C.W. Blubberhouse. He also contributed lively and learned material to Colin Langeveld's Doppelganger Broadsheet, sometimes as the querulous 'Professor Herbert Trufflehunter'.

I came to know Roger in the early Nineteen Eighties when I was told he was an enthusiast of Arthur Machen, whose work I discovered at the age of seventeen. This proved to be a considerable under-statement. Roger knew more about Machen than anyone else I ever met, and between us we started a modest campaign to revive interest in him, which was at a low ebb in the early Eighties. We met or corresponded with many who had known Machen, including his son Hilary and daughter Janet, and close friends such as Colin Summerford and Oliver Stonor: in time, we found others who were intent on celebrating him, leading to the Machen societies, journals and other publications since. Roger wrote the Machen entry in the Dictionary of National Biography, after rightly arguing for his inclusion: edited John Gawsworth's biography of Machen; co-edited Machen's Selected Letters (with Godfrey Brangham and R.A. Gilbert, 1988); and contributed to Faunus, the journal of the Friends of Arthur Machen, with illuminating essays on Machen mysteries. A checklist of his writings is in preparation.

But Machen was far from Roger’s only literary interest: he was immensely well-read, and talked charmingly and with infectious enthusiasm about many other, especially semi-forgotten, figures. For some years he and I would meet in Oxford, where Roger had a bedsit at 50, St John Street, a former home of Tolkien, and have long talks about books and authors who ought to be revived. Roger’s special passion after Machen was George Gissing, whom I then did not quite get (I suppose because he was insufficiently ‘like’ Machen): but he insisted on the wonder of The Private Papers of Henry Ryecroft, and I have recently come to see why: how I wish I could tell him.

Roger had been a journalist in Manchester and Bristol, and still occasionally did freelance work, but (like Machen) he came to dislike this, and preferred to write on literary themes. However, he never lost the journalistic knack of knocking on doors to elicit information, when he wanted to pursue a writer’s homes and haunts, which included Machen’s house in the Chilterns (then owned, to Roger’s delight, by a gentleman with the Welsh kingly name of Cadwallader); and the grave of the alchemist Thomas Vaughan in an obscure Oxford village (“the graveyard plan is on the back of a cornflakes packet”, the sexton told us).

Roger was a very private man: though I was among his closest friends in those Machenstruck days, I never learnt very much about him, except his bookish enthusiasms. He was devoted to literature and, as with Machen and Gissing, it seldom rewarded him materially: but it gave him rarer things; the joys of scholarship, shared discoveries, and the stubborn integrity of a proud spirit.

Mark Valentine

Below: Roger Dobson (right), with other Machen friends, striding off down the old lane from Llanddewi Fach to Llanfrechfa, a favourite walk of Machen's (photographs: Iain Smith).




Thursday, May 9, 2013

The Wailing of the Gaulish Dead - Avram Davidson

Avram Davidson's Adventures in Unhistory is one of the most enjoyable volumes of alternative history, or more precisely re-mythology,  stories ever published. It takes the reader to obscure but fascinating episodes in the byways of history and legend with immense learning, imagination and above all gusto: you can sense the author's pleasure at his discoveries and inventions imbued in every page, and this delight accompanies the reader through a series of strange, piquant chronicles. Don Webb in the New York Review of Science Fiction noted: "Davidson uses a light and entertaining prose...But the light tone does not hide the two key words here: scholarship and a sense of wonder."

Well, it seems that one of the Adventures escaped the volume and has been roaming free of its own accord. Until now. The Nutmeg Point District Mail imprint, with the Avram Davidson Society (itself an elusive entity) has persuaded The Wailing of the Gaulish Dead to let itself be published in a limited edition of 200 copies, on the twentieth anniversary of Avram Davidson's death. You should get it before it goes wandering again.

Sunday, May 5, 2013

Rain Instruments

“Quaint, but strangely beautiful…”
(Rosemary Pardoe, editor of Ghosts & Scholars, on Rain Instruments)

Rain Instruments is a book of found poems created by Mark Valentine from an Edwardian weather survey (British Rainfall 1910), recalling a lost time of country house amateurs in whimsical pursuit of a typically British preoccupation: rain measurement. Here is a selection of poignant, stoical, strange and surprising phrases selected and arranged to form a new work that readers have found “poetic,“intriguing”,“fascinating” and even “exciting”.

Jo Valentine’s design for this palm-of-the-hand volume features a mosaic of images taken from the original rainfall book, and it is made using a traditional long stitch binding. Each copy, in a limited hand-made edition of 25, comes with a bookmark showing an individual rain gauge reading from the survey: it might be from Miss Usborne at The House, Writtle; from Mrs Story Maskelyne at Basset Down House; from the gauge of Captain Ching, R.N. of Launceston; or from another of the keen individuals and institutions that sent in their records.


To order a copy of Rain Instruments (£15) or for further information, please contact Mark Valentine at markl.valentine [at] btinternet [dot] com, replacing the ‘at’ and ‘dot’ with symbols as usual. Postage in the UK is free: for overseas orders by air mail, we ask for a contribution of £1 towards postage. Payment may be made by PayPal, cheque or cash.

Note - Rain Instruments has previously been published in a limited electronic edition only. This is the first book publication, slightly revised.

Update - all copies have now been taken. A new title will be announced soon.

Thursday, May 2, 2013

The Green Book - New Journal of Irish Fantasy

Editor and publisher Brian J Showers has just issued the first number of The Green Book, a journal of "writings on Irish Gothic, Supernatural and Fantastic Literature". The Bealtaine (May Day) issue features five excellent and varied essays, and a strong reviews section. Albert Power contributes a thoughtful and wide-ranging first part of a study of Irish Gothic; David Longhorn demonstrates that the ghost story in dramatic form is far from quiet, with "The Supernatural Theatre of Conor McPherson"; Jacqueline Simpson illuminates Le Fanu's use of folk-lore; Dan Studer celebrates Forrest Reid's fine Tom Barber trilogy; and Michael Dirda contributes an affectionate discussion of humour in Irish fantasy. It's good to see a new journal of discussion in the field, and the editor, in his introductory note, explains that he wants it to work with "a far-reaching definition of inclusion." There's plenty more Irish fantasy literature to discuss, so future issues will be keenly anticipated.

Saturday, April 20, 2013

Rare Sidney Sime frontispiece to T.E. Ellis's CHILDREN OF DON (1912)

Just a quick post to share the rare Sidney Sime frontispiece to T. E. Ellis's Children of Don (London: Edward Arnold, 1912), a book which I have reviewed in my "Late Reviews" column in Wormwood no. 20 (Spring 2013), just published. Not all copies of this volume contain the photogravure frontispiece, a characteristic Sime illustration, here depicting a scene from the prologue, where Gwydion seizes the cauldron of Caridwen (click on the illustration to make it larger):

I am alone with the old gods; there breathes
About me menace of dire things to come.
Great beings watch, and a low distant drum
Thunders for change.
                               [Gwydion takes up the cauldron.
                                   I make this mine.
What flood I loose of powers obscure, divine,
What nest I rouse of venomed ills that bask,
Be to my charge. For here I hold
The fortune and the torment of my race.
Here I set destiny, a deathless rite
Upon the working of my kind: a geis
Upon these isles for ever. Mark!
Mark it, ye ancient ones, whom the great cold
And barren regions bind and mask.
I, Gwydion, take on me the stark
And dangerous deed, all that you ask,
Bare breast to lancing lights and bold
Acceptance of the darkness that you rule. 

The collaboration between the artist S. H. Sime, the poet/librettist T. E. Ellis (Lord Howard de Walden), and the composer Joseph Holbrooke, is fascinating, and I am continuing to delve further into their association.