Not a Shirley Jackson biopic, but...
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This blog is devoted to fantasy, supernatural and decadent literature. It was begun by Douglas A. Anderson and Mark Valentine, and joined by friends including James Doig and Jim Rockhill, to present relevant news and information.
|The Mellifont edition|
Hansom, Mark. The Wizard of Berner’s Abbey. (London: Mellifont Press, undated but 1944)The Wizard of Berner’s Abbey is the second of Mark Hansom’s seven novels, all of which were published by Wright & Brown of London between 1935 and 1939. It came out in May 1935, following the November 1934 publication of The Shadow on the House, an unambitious but readable thriller. Original Wright & Brown editions of the seven Hansom novels are extremely rare, as are the seven paperback reprints done by Mellifont Press between 1939 and 1951. According to the British Museum Catalogue, at least some of the Mellifont Press reprints were abridged. I have not been able to compare the texts of the two editions of The Wizard of Berner’s Abbey, but if the Mellifont edition (which contains approximately fifty-six thousand words in twenty chapters) was abridged, as I suspect (owing to the hazy details of certain aspects of the plot), the cutting was an act of mercy towards the reader. The Wizard of Berner’s Abbey is a considerable step down from Hansom’s first novel, a descent into hackwork.It is the first person narrative of John Richmond, a student of medicine aged twenty-four, who comes unexpectedly to a little Surrey village to visit his cousin, Leonora, who had jilted him two years ago to marry Paul St. Arnaud, a sinister and much older figure completely absorbed in scientific inquiry. John hopes to come to understand why Leonora turned against him and towards the repellant St. Arnaud. What John discovers is that St. Arnaud believes that his own will is so great that it works in complete independence of his body. St. Arnaud, however, is soon dead and buried, though his influence over his wife, via some sort of mind control, remains. And Leonora unwittingly continues her late husband’s nebulous experiments to create life—these experiments have something to do with the murders of two young women, for evidently brain matter is an essential part of St. Arnaud’s methodology. Meanwhile John explores St. Arnaud’s library, which contains various occult books, and after reading in one of them John decides that some kind of vampirism is involved with regard to St. Arnaud’s strength of will.Much of this kind of exposition is padding and deflection. It turns out that St. Arnaud has faked his own death, but is in the end killed in a struggle, leaving John and Leonora to marry. The reader reaches the final page with relief that this tedious novel, poorly executed and entirely without thrills, is at last finished.Nothing is known of the author. It is possible that the byline is pseudonymous. Though there are many people with the last name of Hansom in England (particularly in the north), there is no “Mark Hansom” of the appropriate age to be found in the death records for England and Wales from 1938 through 2005.
|John D. Squires at Pulpfest 2010*|